Blurring of identity criteria and fixed conceptions


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At the turn of the century, steady definitions got shaky and our rigid conceptions of human societies, anchored in their geographical territories, shifted. I concealed cultural references and used the most ordinary sheet stitched with thick thread to craft a human body envelope. The installation Les fouleurs is a choreography of unsteady bodies. To the precarious balance of the body, I added void, in Suspensions.