My visual arts practice focuses on the theme of the body’s boundaries.

This subject reflects my interest in the body and in anthropology—the body as a three-dimensional object, as a plastic membrane, a resonance chamber within the environment, and anthropology as a discipline that considers a diversity of connections to the world, of relationships with others, and that observes the mutations of our humanity.

With the digital transformation I’ve been pursuing for 30 years, I’ve focused more specifically on the notion of “the in-between,” knowing that the rearrangement of the physical world in digital space shifts lines, spacing, and the nature of connections.

By offering this possible escape through any screen, the digital modeling of the world conditions an unstable posture of an in-between, based on this permanent back-and-forth between a varied, spaced-out, but limited physical space and a standard, standardized but unlimited digital space.

This kind of distortion leads to a ‘stable instability’ that contributes to revealing and producing a “humanity of the in-between,” interfering with human reference points and relationships where the boundaries of the body are renegotiated.

Following the common thread of the body’s boundaries, my successive visual creations bear witness to this rapid shift. Digital spatiality constrains the “in-between,” and in this sense, this space proves to be an essential dimension for preserving cultural and political diversity.

Today, I consider this notion as important as the play of cogs, as import as breathing, suspense, attraction and its opposite, elasticity, coexistence, plurality and the unexpected.